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The woman in her drama is an independent character, she stood up to find her strengths and tackle her own problems.
Since the sudden end of playwright Harna Moyne, I have been thinking about everything she has gained through the world she has created for us on television. Her drama taught me lifelong lessons about empowerment, strength, freedom of choice, romance, relationships, friendship and, above all, fundamental human integrity.
My thoughts went straight away Tanhaiyaan It aired on PTV in 1986, where Moin’s script was brought to life by the late Shezad Khalil. She wrote dynamic and robust characters that actually grew with the drama and had depth.
The women in her drama are independent characters, finding their strengths and standing up to tackle their own problems like the meek Zara (played by Shenaz Sheikh).
Zara’s sister is Sanya (played by Marina Khan), a young, cheerful and confident girl who always spoke to her heart and later helped save her sister business. Aani (Badar Khalil) was an aunt, single woman in her 30s, financially independent and lived on her own terms. Even women who play more traditional roles like Sultana Zafar, who played the mother of Zara and Sanya’s housewives, were shown as supportive characters who were not subordinate to anyone in their family. There is also a very interesting dynamic between the older members of the cast, and there is a connection there too. Vida, played by Yasmin Ismail, actually leaves his fiancé when he realizes he is in love with someone else, and even men are sensitive and friendly.
I tremble with what I think about the drama and the types of characters created today Tan Hai Yang It will look like it would have been created in 2021. Sanya is sure to be shown as a sister chasing after her sister’s love interest, Zain (Ashifra Zamir). Aani’s character will undoubtedly be shown as having a loose morality, especially as she lived alone. Although Vida doesn’t love her, it’s nothing better than focusing her energy on Zayn instead of realizing that the relationship is toxic to her.
Even the manga remedies of the drama in the form of Barkat and Qabacha consist of the ratios of slapstick comedies that are bothersome to watch. Masala The story (spice) comes from the top battle between Zain and Salman characters, all neatly wrapped in sad osts with solo shots of the actors relating to their saddest memories.
In fact, most relationships are toxic and characters will go out to win each other every turn without the real justification that is the face of today’s Pakistani drama. A black and white character with no development or personality tinge. They are either all good or everything is bad.
That’s exactly why Moin’s characters are so friendly. They seemed to breathe people because the character arcs were not only well defined, but also helped push the story in. Tan Hai Yang Real life people are flawed, but they can also embark on a journey of self-realization. Her character fought back, without actually putting his hands on anyone and despite his restrictions as people. Moyne’s world was far more progressive than many of the dramas produced for television today, but the themes she addressed included women’s empowerment, gender equality and the right to marriage of choice. Unfortunately, I don’t see her positive, independent thinking iota that Moyne showed in the 80s today.
I will forever benefit from helping me, a child in the 80s. I have become stronger and I have realized that I have a voice in society.
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